Ganzfeld telepathy example 2
This ganzfeld telepathy test was conducted with Gail and her friend Ray, on September 27th.
This is the target pool. One of these images was being sent by Ray, from a distance. Neither Ray nor Gail knew anything in advance about the composition of the pool, and Ray selected one of these four pictures randomly with a tossed die.
What follows is the transcript of Gail's spoken impressions during the sending period, which lasted about 10 minutes:
I see an image of Ray when he jumped off the waterfall in Hawaii. Green. Swaying. I feel like I'm swaying. Palm Trees. Motion. I keep feeling like a lot of motion. Something solid and rectangular. Alive. Kinda...Jungle-y. Now my image changed to sort of like a port, but I feel like it's an analytical overlay. We were just talking about shipping so I'm not sure, all of a sudden I felt like I was at a port,
or a busy place or... Somewhere that felt like by, with water and industry. Hot.
Ray?! [At this point Gail felt that Ray's attention was wandering.]
Continuing with images of water or when I say like a sway or a wave, or some kinda flowing in and out feeling. I feel blues and whites. I'm not sure why I'm seeing an image of a stick of butter. But just that same shape again where I'm seeing a long, oblong... Before I felt like the oblong shape was standing upward and now I'm seeing it more like a train, you know, like a long train kind of a shape.
I'm hearing flower essence in my mind, flower essence. I see sort of a green leathery leaf. I guess I would draw a shape to go with that. A happy feeling.
Now all of a sudden, I just saw, I don't know, a metal structure, you know, like intricacies of a metal structure, that you would see like in an Eiffel Tower or a bridge or some sort of intertwining metal things. Repeated design, or repeated. I'm not sure.
I just saw some horses galloping by, again, the same thing about swift. Something about just the mane blowing in the wind, or the hair. Something about the swift and swaying feeling of motion. I seem to be traveling from a tropical feeling to a sort of a farm feeling. Seems kinda busy. I still have to go back to my rectangular oblong shape. I don't know if stick-of-butter yellow has something to do with the color. Hands ... keep feeling like I'm holding something.
After the sending period, when Gail was trying to match her impressions to the target, she immediately rejected two of the pictures and kept vacillating between the actual target and one of the decoys. She first selected the target, then changed her mind, and went back and forth several times, ending up by selecting the decoy.
Can you guess which picture was the target that Ray was sending?
This is the target pool. One of these images was being sent by Ray, from a distance. Neither Ray nor Gail knew anything in advance about the composition of the pool, and Ray selected one of these four pictures randomly with a tossed die.
What follows is the transcript of Gail's spoken impressions during the sending period, which lasted about 10 minutes:
- - -
I see an image of Ray when he jumped off the waterfall in Hawaii. Green. Swaying. I feel like I'm swaying. Palm Trees. Motion. I keep feeling like a lot of motion. Something solid and rectangular. Alive. Kinda...Jungle-y. Now my image changed to sort of like a port, but I feel like it's an analytical overlay. We were just talking about shipping so I'm not sure, all of a sudden I felt like I was at a port,
or a busy place or... Somewhere that felt like by, with water and industry. Hot.
Ray?! [At this point Gail felt that Ray's attention was wandering.]
Continuing with images of water or when I say like a sway or a wave, or some kinda flowing in and out feeling. I feel blues and whites. I'm not sure why I'm seeing an image of a stick of butter. But just that same shape again where I'm seeing a long, oblong... Before I felt like the oblong shape was standing upward and now I'm seeing it more like a train, you know, like a long train kind of a shape.
I'm hearing flower essence in my mind, flower essence. I see sort of a green leathery leaf. I guess I would draw a shape to go with that. A happy feeling.
Now all of a sudden, I just saw, I don't know, a metal structure, you know, like intricacies of a metal structure, that you would see like in an Eiffel Tower or a bridge or some sort of intertwining metal things. Repeated design, or repeated. I'm not sure.
I just saw some horses galloping by, again, the same thing about swift. Something about just the mane blowing in the wind, or the hair. Something about the swift and swaying feeling of motion. I seem to be traveling from a tropical feeling to a sort of a farm feeling. Seems kinda busy. I still have to go back to my rectangular oblong shape. I don't know if stick-of-butter yellow has something to do with the color. Hands ... keep feeling like I'm holding something.
- - -
After the sending period, when Gail was trying to match her impressions to the target, she immediately rejected two of the pictures and kept vacillating between the actual target and one of the decoys. She first selected the target, then changed her mind, and went back and forth several times, ending up by selecting the decoy.
Can you guess which picture was the target that Ray was sending?
Comments
Her repeated reference to a feeling of swaying was, as Ray later put it, how he was trying to convey to her that it was all about water. Remember, Ray did not see the other images, so he couldn't know in advance (precognition notwithstanding) that some of his sending might match elements of the other images.
One reason hit rates with natural targets are often better than with Zener cards is because the latter consists of constrained pools of abstract possibilities that are used in repeated trials. Abstract, limited target pools plus lots of repetition make statistical counting inevitable, and such biases soon outweigh one's raw impressions.
Could I ask you a question since I have your attention. I attempted one of your games a few years ago, the one where there is a pictue of a person and you have to guess if they are living or dead. I'd like to try it again. I left the time gap, hoping that any memory trace would have faded by now. Could I try it again...and where can I locate it?